{"id":531,"date":"2024-04-24T09:20:39","date_gmt":"2024-04-24T07:20:39","guid":{"rendered":"https:\/\/www.lionssansepolcro.it\/?page_id=531"},"modified":"2024-04-24T09:28:04","modified_gmt":"2024-04-24T07:28:04","slug":"piazza-santa-marta-2","status":"publish","type":"page","link":"https:\/\/www.lionssansepolcro.it\/en\/piazza-santa-marta-2\/","title":{"rendered":"Piazzetta Santa Marta"},"content":{"rendered":"[et_pb_section fb_built=”1″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.20.2″ _module_preset=”default” custom_margin_tablet=”” custom_margin_phone=”0px||0px||false|false” custom_margin_last_edited=”on|phone” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” header_text_align=”center” header_text_color=”gcid-7fb39c74-6696-4b04-920d-3624ea959f6b” header_font_size=”56px” header_2_text_align=”center” custom_margin=”0px||0px||false|false” custom_margin_tablet=”0px||0px||false|false” custom_margin_phone=”0px||0px||false|false” custom_margin_last_edited=”on|phone” custom_padding=”0px||0px||false|false” header_font_size_tablet=”48px” header_font_size_phone=”32px” header_font_size_last_edited=”on|phone” global_colors_info=”{%22gcid-7fb39c74-6696-4b04-920d-3624ea959f6b%22:%91%22header_text_color%22%93}”]

PIAZZETTA DI SANTA MARTA<\/h1>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.20.2″ _module_preset=”default” custom_padding=”||13px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” global_module=”118″ saved_tabs=”all” global_colors_info=”{}”]Home<\/a><\/span><\/span>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,3_5,1_5″ _builder_version=”4.20.2″ _module_preset=”default” custom_padding=”1px|||||” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.lionssansepolcro.it\/wp-content\/uploads\/2024\/04\/Piazza-Santa-Marta.png” alt=”Piazza Santa Marta” title_text=”Piazza Santa Marta” _builder_version=”4.24.0″ _module_preset=”default” custom_margin=”||56px|||” global_colors_info=”{}”][\/et_pb_image][et_pb_gallery gallery_ids=”536,535″ posts_number=”2″ _builder_version=”4.24.0″ _module_preset=”default” caption_text_align=”center” text_orientation=”center” width=”100%” max_width=”100%” module_alignment=”center” min_height=”96px” height=”100px” max_height=”100px” custom_margin=”-2px||||false|false” custom_padding=”0px||0px||false|false” border_radii_image=”off||||” text_shadow_style=”preset1″ locked=”off” global_colors_info=”{}”][\/et_pb_gallery][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” min_height=”44.4px” custom_margin=”||39px|||” custom_padding=”||0px|||” locked=”off” global_colors_info=”{}”]

Fig. 1 e 2 \u2013 Little square of Santa Marta and side entrance of the church<\/p>[\/et_pb_text][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” text_font_size=”18px” text_line_height=”1.8em” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

The small square of Santa Marta, where the two entrances to the church are located, is a small, friendly and quiet space. The church is the work of the architect Antonio Cantagallina (17th century); it has no pretensions but preserves significant works, from a large seventeenth-century wooden crucifix, placed on the main altar in baroque style. On the right, the Cantagallina altar from the first half of the century. XVII \u2013 work by G. Battista Temperi \u2013 supports a\u00a0Madonna with Child and Saints,\u00a0painted terracotta from the XV1 century. The Madonna, with hands clasped with the child in her lap, recalls the Madonna of Senigallia by Piero della Francesca. In front, the Nomi-Pannilunghi altar, by Temperi (1622), supports a painting with the\u00a0Madonna, Saint Francis and Saint John the Evangelist\u00a0at the foot of the cross, an anonymous work from the 15th-16th century. It seems to belong to a primitive chapel incorporated in the 17th century.<\/p>\n

Nearby we read the name of Matteo Lancisi, from 1652. A very particular work are the two processional banners, one with the image of Saint Mary Magdalene and an expression of the Confraternity dedicated to her, the work of Spinello from Arezzo; the other with the image of Saint Catherine of Alexandria, by Pietro di Giovanni d'Ambrogio.2<\/span><\/p>\n

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1<\/sup>FRANCESCA CHIELI, Conoscere Sansepolcro – Arte e Storia<\/em>, Ed. Nuova Prhomos, 2021.<\/span>
2<\/sup>NICOLETTA COSMI, GLI STENDARDI “RITROVATI” delle Confraternite di S. Maria Maddalena e S. Caterina di Borgo San Sepolcro (secc. XIV-XV),<\/em> Digital Editor srl, Umbertide, 2019.\u00a0<\/span><\/p>[\/et_pb_text][et_pb_gallery gallery_ids=”540,539″ posts_number=”2″ orientation=”portrait” _builder_version=”4.24.0″ _module_preset=”default” min_height=”385.7px” global_colors_info=”{}”][\/et_pb_gallery][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” min_height=”44.4px” custom_margin=”-53px||39px|||” custom_padding=”||0px|||” locked=”off” global_colors_info=”{}”]

Fig. 3 \u2013 Pietro di Giovanni d\u2019Ambrogio, front and back 1444,\u00a0PROCESSIONAL BANNER of S. Caterina d\u2019Alessandria,\u00a0Mus\u00e9e Jacquemart-Andr\u00e9, Parigi<\/p>[\/et_pb_text][et_pb_gallery gallery_ids=”542,543″ posts_number=”2″ orientation=”portrait” _builder_version=”4.24.0″ _module_preset=”default” min_height=”385.7px” locked=”off” global_colors_info=”{}”][\/et_pb_gallery][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” min_height=”44.4px” custom_margin=”-53px||39px|||” custom_padding=”||0px|||” locked=”off” global_colors_info=”{}”]

Fig. 4 \u2013 Spinello Aretino,front and back , 1395,\u00a0Processional banner of Santa Maria Maddalena,\u00a0Metropolitan Museum of Art di New York.<\/p>[\/et_pb_text][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” text_font_size=”18px” text_line_height=”1.8em” global_colors_info=”{}”]

The work of Jacopo Vignali, a Florentine painter of the first half of the century, who left he Nativity of the Virgin, in the church of Sant\u2019Agostino is no longer there . Santa Marta is a local church particularly dear to the inhabitants of the area. It is no coincidence that, inside above the entrance door, a twentieth-century painting depicts real characters, immortalized only out of affection for the church. The church is also loved for another reason: every year for Christmas a nativity scene of the same size as the church is built there, inspired by different environments and situations recreated in an excellent way. The main entrance of the church, in Via della Fortezza, leads us to a small and charming square overlooked by the church of Sant'Antonio Abate.\u00a0<\/p>[\/et_pb_text][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” header_3_text_align=”center” header_3_text_color=”gcid-7fb39c74-6696-4b04-920d-3624ea959f6b” custom_margin=”||12px|||” custom_padding=”||2px|||” locked=”off” global_colors_info=”{%22gcid-7fb39c74-6696-4b04-920d-3624ea959f6b%22:%91%22header_3_text_color%22%93}”]

STREETS AND ALLEYS OF PORTA ROMANA<\/h3>[\/et_pb_text][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” text_font_size=”18px” text_line_height=”1.8em” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″]

From the Porta Romana and Piazza di Santa Marta you take the main street of the town: the Via Maestra or the Corso, officially Via XX Settembre, in memory of the breach of Porta Pia in 1870 and the end of the state of the Church. The term Maestra attributes solemnity and importance to the road. It crosses the town to the other gate, the Fiorentina. The streets that merge into the Via Maestra, from the barrier of Porta Romana, are:\u00a0Via della Fortezza:\u00a0you can glimpse the staircase of the Fortezza on the right and the road then descends in front of Santa Marta to the small square of Sant'Antonio (and beyond).\u00a0Via dei Tollentini\u00a0(on the right, but the plaque has disappeared), a very short road \u2013 from the Corso to Via San Niccol\u00f2 \u2013 which is also referred to as Via della Ventina in a map from 1828 and in one from 1856 reads Via dei Tollentini. A little further on, on the left, there is\u00a0Via del Campaccio\u00a0which continues, from Via XX Settembre, the Via della Fortezza. Angelo Tafi says that this was the name of the space created with the eastward expansion of the city for the construction of the Medici walls, which remained uncultivated. On the right\u00a0Via Manzetti, evidently the surname of a family. Then the long road, to the right and left of the Corso, which is\u00a0Via del Forno, formerly Via del Fosso, as mentioned on the sign. According to Tafi, in the past the northern stretch was called Via del Topo.\u00a0 Again, on the left,\u00a0Via dei Cipolli, where a stone plaque was placed by the citizens to honor the memory of\u00a0\u201cLuca Pacioli\u201d, born there in 1445, and died in 1517, scientist and mathematician \u2013 symbol of a civilization that in this city \u200b\u200bhad high expressions in art and science \u2013 Sansepolcro 1994\u2033. The Cipollis, the family to whom the street is dedicated, are confirmed in the papers of the diocesan archive.<\/p>\n

On the right, almost opposite, is\u00a0Via dei Bofolci, very short, from Via S. Niccol\u00f2 to Via XX Settembre. Bofolci is one of the oldest families in Sansepolcro, they were feudal lords, lords of the Castello di Casale castle. In 1187 they were forced to destroy the castle and come to the city and build their palace there. Continuing, we find\u00a0Via del Buon Umore\u00a0or\u00a0Buonumore\u00a0(in the first case it seems to be a cheerful person; in the second it seems to be a psychological condition) which has a nice name and is beautiful because it is dominated by five arches which soften the street. This is the southern stretch, but the name also applies to the northern stretch. Via del Buon Umore or Good Humor. The stretch between Via XX Settembre and Via S. Niccol\u00f2 was called\u00a0Via Cupa.<\/p>\n

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3<\/sup>ERCOLE AGNOLETTI, Piccole storie, vol. II Arti Grafiche, Sansepolcro 1987.<\/span><\/p>[\/et_pb_text][et_pb_image src=”https:\/\/www.lionssansepolcro.it\/wp-content\/uploads\/2024\/04\/Gli-archetti-di-Via-del-Buonumore.png” _builder_version=”4.24.0″ _module_preset=”default” alt=”Gli archetti di Via del Buonumore” title_text=”Gli archetti di Via del Buonumore” hover_enabled=”0″ sticky_enabled=”0″ align=”center” custom_margin=”||81px|||”][\/et_pb_image][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” min_height=”70.4px” custom_margin=”-53px||-2px|||” custom_padding=”||17px|||” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″]

Fig. 5 \u2013 The small arches of Via del Buonumore<\/p>[\/et_pb_text][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” header_3_text_align=”center” header_3_text_color=”gcid-7fb39c74-6696-4b04-920d-3624ea959f6b” custom_margin=”-20px||12px|||” custom_padding=”10px||2px|||” hover_enabled=”0″ locked=”off” global_colors_info=”{%22gcid-7fb39c74-6696-4b04-920d-3624ea959f6b%22:%91%22header_3_text_color%22%93}” sticky_enabled=”0″ min_height=”37px”]

THEATRE OF THE ACADEMY OF THE RISEN<\/h3>[\/et_pb_text][et_pb_image src=”https:\/\/www.lionssansepolcro.it\/wp-content\/uploads\/2024\/04\/Teatro-dellAccademia-dei-Risorti.png” _builder_version=”4.24.0″ _module_preset=”default” alt=”Teatro dell’Accademia dei Risorti” title_text=”Teatro dell’Accademia dei Risorti” align=”center” hover_enabled=”0″ sticky_enabled=”0″ custom_padding=”11px||53px|||”][\/et_pb_image][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” min_height=”70.4px” custom_margin=”-53px||-2px|||” custom_padding=”||17px|||” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″]

Fig. 6 \u2013 Theatre of the Academy of the Risen<\/p>[\/et_pb_text][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” text_font_size=”18px” text_line_height=”1.8em” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″ custom_margin=”-18px|||||”]

Along the road, from the Roman gate to the square, there is the neoclassical theater of the Accademia dei Risorti (no longer existing) named after Dante Alighieri in 1886.<\/p>\n

Among the most beautiful theaters in the region, that of Sansepolcro has a very respectable history. The origin, in fact, dates back to 1727 when the Accademia dei Risorti was born which carried out an almost exclusively theatrical activity; then in 1832, when the Risorti merged with the Riuniti - the cultural associations were in great turmoil under the reign of Leopold II - the project for the Dante Theater was born (which was inaugurated in 1834 with a Sonnambula by Vincenzo Bellini) more or less as it is today: horseshoe shape, very rounded, four tiers of boxes, a good stage with a narrow but functional pit for the orchestra, all for four hundred spectators. Thanks to continuous use and uninterrupted effective maintenance, the Dante Theater has maintained its original neoclassical charm, structures and functionality in over one hundred and sixty years of life, and continues to host theater and musical seasons of all levels.4<\/span><\/span><\/p>\n

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4<\/sup>https:\/\/it.wikipedia.org\/wiki\/Teatro_Dante_(Sansepolcro)<\/span><\/p>[\/et_pb_text][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” text_font_size=”18px” hover_enabled=”0″ global_colors_info=”{}” custom_padding=”27px|||||” custom_margin=”||50px|||” sticky_enabled=”0″]

STUDY by GIULIANA MAGGINI<\/p>[\/et_pb_text][et_pb_image src=”https:\/\/www.lionssansepolcro.it\/wp-content\/uploads\/2023\/11\/logo-universita-dell-eta-libera-sansepolcro.png” alt=”Universit\u00e0 dell’Et\u00e0 Libera – Sansepolcro” title_text=”Universit\u00e0 dell’Et\u00e0 Libera – Sansepolcro” align=”center” _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_row _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section]","protected":false},"excerpt":{"rendered":"

PIAZZETTA DI SANTA MARTAHome<\/a><\/span><\/span> Fig. 1 e 2 – Piazzetta di Santa Marta e Ingresso laterale della chiesaLa Piazzetta di Santa Marta, dove sono i due ingressi alla chiesa, \u00e8 un piccolo spazio amichevole e tranquillo. La chiesa \u00e8 opera dell’architetto Antonio Cantagallina (sec. XVII); non ha pretese ma conserve opere significative, da un grande […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-531","page","type-page","status-publish","hentry"],"yoast_head":"\nPiazzetta Santa Marta - Lions Sansepolcro<\/title>\n<meta name=\"robots\" content=\"noindex, follow\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Piazzetta Santa Marta - Lions Sansepolcro\" \/>\n<meta property=\"og:description\" content=\"PIAZZETTA DI SANTA MARTA Fig. 1 e 2 - Piazzetta di Santa Marta e Ingresso laterale della chiesaLa Piazzetta di Santa Marta, dove sono i due ingressi alla chiesa, \u00e8 un piccolo spazio amichevole e tranquillo. 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